elongated_tito just made me watch
Sin City. I know it's kind of, like,
done to complain about the movie's treatment of women, but. Yeah, okay.
( Eleven-year-old girl that Bruce Willis has just rescued from bad guys tells him, 'I'm still a virgin, thanks to you.' )And I just ended up taking the movie a lot more seriously than I meant to, and I think I'm stopping here and putting this under a cut.
I just finished
Rocannon's World, Ursula LeGuin's first published novel. It's definitely by LeGuin, so it's good, but it's also definitely early. It has a Huge Faceless Mystery Enemy Who Cannot Be Reasoned With And Must Be Destroyed. This isn't something you associate with LeGuin, and she clearly wasn't comfortable with it - they're the reason for the Journey, but just barely have a name, are there only at the very beginning and very end, and then are only kinda-sorta there.
The protagonist defeats them with the help of a Mysterious Wise Man On A Mountain, because, being a basically sensical character, he cannot overcome a nonsensical problem on his own, and thus requires an equally nonsensical
deus ex machina.
In between, he deals with smaller and more comprehensible crises which are recognizably human, animal, or weather.
Those parts are LeGuin. Fortunately, she learned to drop the end-paper.
Random note: I'll eat something generally thought inedible if Rosemary Kirstein hasn't read this book, because (elliptical spoiler for both
Rocannon and the
Steerswoman series)
her Demon Cities are Rocannon's Angel Cities.
(This entry edited a few times over a few minutes after posting it, because my genius comes in spurts, like mustard.)