1. I am definitely over my cold (did not have any stuffiness or sniffles today) and slept a lot better last night. Still woke up a few times, but was able to get back to sleep quickly.
2. I'm not sure if I've mentioned it, but a house at the end of our street (four doors down) has been semi-abandoned for about thirty years and fully abandoned for at least 10-15. It's a house with attached apartments, and the house has been unoccupied for about thirty, and a few people in the apartments hung on for longer due to the rent being low, even though the landlord was, according to people we knew in one of them who moved out earlier than the stragglers, completely MIA. It's been slowly falling down in that time (a few years ago I noticed some of the stairs outside were missing) and after years of squatters that eventually led to a small fire (thankfully fire department responded quickly and no major damage was done), the windows and doors were boarded up, and a few years after that a chainlink fence was put around it.
Now finally starting last month they are working to remodel it! I assumed at first it would just be completely torn down and something new put up, but after they stripped it down to the bare bones, earlier this week new lumber appeared on the site and they started replacing bad spots and reinforcing things. Apparently it had asbestos inside, as when they first started work on it, it was all hazmatted up and had warning signs around. I'm really curious to see what it will look like when it's all done.
3. This morning I noticed a puzzle piece on the floor under the desk and knew right away it was too large for the puzzle I'm currently working on. Sure enough, it's from the Country Bear Jamboree one we just finished. Which I put out in the little library a couple days ago! D: I always am so careful when putting the puzzles away, especially if it's one I'm going to give away. I'd hate to give away a puzzle with a missing piece. But thankfully when I went out to check, the puzzle had still not been taken, so I was able to add the piece back in. I will be even more careful from now on!
Forgotten again by her family, Joan Greenwood discovers that this time her witch-kin had a legitimate excuse: a potentially existential threat to Greenwood power and privilege.
Remember how last year, I watched (and wrote about watching) Mawaru Penguindrum, and paired it with the episode reactions from the Imagine Me & Utena podcast? And how the IMAU reactions had only gotten through episode 17, but they had been on hiatus for long enough that I figured they weren’t going to come back to it, so I went ahead and watched the rest of the show?
The IMAU folks came back! After a year-and-a-half gap, they started up again, and got through the rest of the series!
(It’s in my folder of “podcasts that stopped updating a long time ago, but didn’t officially finish, so I check in once or twice a year, just to see if anything’s changed.” And sure enough, something had.)
Overall, I didn’t like the Penguindrum anime. There were some good parts, even a few great ones, and I still listen to the music — but that wasn’t enough to outweigh all the parts that were bad/rushed/nonsensical/poorly thought-out/generally-unpleasant.
Still looking forward to finally finishing the IMAU recaps. If you’re a fan of the series, or even if you also didn’t care for it but ended up watching the whole thing, check them out. (Direct link to the RSS feed.)
Remember how last year, I watched (and wrote about watching) Mawaru Penguindrum, and paired it with the episode reactions from the Imagine Me & Utena podcast? And how the IMAU reactions had only gotten through episode 17, but they had been on hiatus for long enough that I figured they weren’t going to come back to it, so I went ahead and watched the rest of the show?
The IMAU folks came back! After a year-and-a-half gap, they started up again, and got through the rest of the series!
(It’s in my folder of “podcasts that stopped updating a long time ago, but didn’t officially finish, so I check in once or twice a year, just to see if anything’s changed.” And sure enough, something had.)
Overall, I didn’t like the Penguindrum anime. There were some good parts, even a few great ones, and I still listen to the music — but that wasn’t enough to outweigh all the parts that were bad/rushed/nonsensical/poorly thought-out/generally-unpleasant.
Still looking forward to finally finishing the IMAU recaps. If you’re a fan of the series, or even if you also didn’t care for it but ended up watching the whole thing, check them out. (Direct link to the RSS feed.)
1. I'm pretty much over my cold. Nose was a little runny this morning, but I'm not stuffed up anymore. Still tired from not getting enough sleep, but maybe tonight will be the night? (Maybe not, though, since I was so tired this morning I bought a coffee when I got to work and then a Coke at lunch. Even though that was early in the day, it still might keep me up...)
2. I'm very glad tomorrow is Friday and it's the weekend. We're going to see Adam Conover live on Sunday, so that will be fun. (It's at the same venue where we've seen Paul F Thompkins a couple times, and Carla was browsing their upcoming acts a couple months ago and spotted it.)
3. Speaking of Sunday activities, the last Sunday of the month is our Oogie Boogie night, so I just remembered to put in a PTO request for that Monday. It only runs until 11pm, not like some of the nighttime events on the Disneyland side (DCA ones always start and end earlier), so it wouldn't be terrible to have to go to work the next day, but it's just a nice excuse to have a day off. And I do need to use up some more of my PTO balance or it will max out again before we go to Japan next year.
What a cool person and fascinating life; really interesting and impressive to see someone succeeding in doing academic scholarship on an Indigenous group from within that group, in that time period.
Which I have been saying should happen for six years, since seeing her in Barrie Rutter's Two Noble Kinsmen as the Jailer's Daughter (a role which I described as "semi-comic shitty-first-draft Ophelia"). Also Juliet now please, casting directors.
Charlie Morningstar, Princess of Hell, opens the titular hotel with the goal of “helping demons workshop their way to earning a spot in Heaven.” Most demons aren’t even interested, the handful that show up all have ulterior motives, and the other plot threads happening around it involve murder, genocide, hard drugs, and sex slavery. Watch Charlie flail her way through the hopelessly-doomed prospect of coaching this crowd to “do trust falls with each other” and “sing songs about how to apologize”!
Accurately described as “what if somebody got to make a professionally-animated TV series with all her 2000s-era DeviantArt OCs?” That’s not a complaint — they are good designs, aesthetically pleasing, fun to watch — it’s just a description of this very specific energy they bring.
Based on fandom osmosis, I was expecting a good amount of darkness and irreverence, with a generous serving of sexy iddiness. (Of the two characters whose names I knew before I started watching, one of them is the gay porn star who presents himself as sassy and slutty but is hiding a deep vulnerability in his soul. Obviously fandom loves him.)
I didn’t realize it was going to do all that and try to have fully, unironically earnest messages about love and redemption. Charlie’s quest is not hopelessly doomed! And the show does actually want you to get on board with that! One minute you’re getting a totally-serious song about the power of fighting for love (did I mention this is also a musical?), the next you’re getting a comically-bloody scene about the demon whose gimmick is indiscriminate stabbing!
It mostly works, too. You would really expect this to fall apart, and there are points where it teeters, but overall it holds together as it soars through the first season and sticks the landing.
Weird and enjoyable. Looking forward to season 2.
Marvel Zombies:
A very short (4 half-hour episodes) expansion of that one What If…? episode. I never like zombie stuff, but I do like post-apocalyptic survival stuff…and, listen, it had some new tidbits of Moon Knight stuff. So I had to catch it at some point.
I liked all the scenes that focused on “here’s a handful of disparate MCU characters who got thrown together by the weird circumstances, let’s watch them wrangle the apocalypse as a team.” In general, it felt like the character interactions were written by people who liked them, and put some thought into them. (After that disappointing s3 episode with Shang-Chi and Kate Bishop, it’s extra-refreshing to see an AU where Shang-Chi and Katy’s friendship gets to shine, and Kate gets a subplot with a trick arrow.)
But then the show tried to have an over-arching plot. And it felt like the plot was written by people who thought “Wanda makes a cool and terrifying villain, so our priority is to make her a cool villain, and we don’t really care how she got to that point or whether her motives make any sense.”
The MK content was “in this AU, Marc and company got zombie’d early in the outbreak, and their buddy Blade was recruited as next Moon Knight.” This is the MCU version of Blade, who suffers from a bad case of His Main-Timeline Debut Hasn’t Actually Happened Yet. So I don’t blame these writers at all for not knowing what to do with him. (The guy is half-vampire, there should be all kinds of questions to explore about how that interacts with a mostly-zombified world — and this show has no interest in any of them.)
At least we got a cool new MK suit design out of it. And a fun scene of Khonshu having an argument with Valkyrie.
Knights of Guinevere:
Sci-fi psychological horror, which is also a scathing commentary on the creator’s career as a Disney animator. Follows a couple of friends who live and work in the garbage-strewn shadow of a planet-sized theme park, and a broken android (?) mascot who could really use their help.
Only the first episode is finished right now, so there’s a lot we can’t know, but it’s so rich and dense with worldbuilding info that there’s a ton of possibilities to speculate about. At this point I’ve seen multiple “breakdown of all the little things you missed in the Knights of Guinevere pilot!” videos, and haven’t stopped picking up new details yet.
Very excited to see where the rest of the series goes.
Charlie Morningstar, Princess of Hell, opens the titular hotel with the goal of “helping demons workshop their way to earning a spot in Heaven.” Most demons aren’t even interested, the handful that show up all have ulterior motives, and the other plot threads happening around it involve murder, genocide, hard drugs, and sex slavery. Watch Charlie flail her way through the hopelessly-doomed prospect of coaching this crowd to “do trust falls with each other” and “sing songs about how to apologize”!
Accurately described as “what if somebody got to make a professionally-animated TV series with all her 2000s-era DeviantArt OCs?” That’s not a complaint — they are good designs, aesthetically pleasing, fun to watch — it’s just a description of this very specific energy they bring.
Based on fandom osmosis, I was expecting a good amount of darkness and irreverence, with a generous serving of sexy iddiness. (Of the two characters whose names I knew before I started watching, one of them is the gay porn star who presents himself as sassy and slutty but is hiding a deep vulnerability in his soul. Obviously fandom loves him.)
I didn’t realize it was going to do all that and try to have fully, unironically earnest messages about love and redemption. Charlie’s quest is not hopelessly doomed! And the show does actually want you to get on board with that! One minute you’re getting a totally-serious song about the power of fighting for love (did I mention this is also a musical?), the next you’re getting a comically-bloody scene about the demon whose gimmick is indiscriminate stabbing!
It mostly works, too. You would really expect this to fall apart, and there are points where it teeters, but overall it holds together as it soars through the first season and sticks the landing.
Weird and enjoyable. Looking forward to season 2.
Marvel Zombies:
A very short (4 half-hour episodes) expansion of that one What If…? episode. I never like zombie stuff, but I do like post-apocalyptic survival stuff…and, listen, it had some new tidbits of Moon Knight stuff. So I had to catch it at some point.
I liked all the scenes that focused on “here’s a handful of disparate MCU characters who got thrown together by the weird circumstances, let’s watch them wrangle the apocalypse as a team.” In general, it felt like the character interactions were written by people who liked them, and put some thought into them. (After that disappointing s3 episode with Shang-Chi and Kate Bishop, it’s extra-refreshing to see an AU where Shang-Chi and Katy’s friendship gets to shine, and Kate gets a subplot with a trick arrow.)
But then the show tried to have an over-arching plot. And it felt like the plot was written by people who thought “Wanda makes a cool and terrifying villain, so our priority is to make her a cool villain, and we don’t really care how she got to that point or whether her motives make any sense.”
The MK content was “in this AU, Marc and company got zombie’d early in the outbreak, and their buddy Blade was recruited as next Moon Knight.” This is the MCU version of Blade, who suffers from a bad case of His Main-Timeline Debut Hasn’t Actually Happened Yet. So I don’t blame these writers at all for not knowing what to do with him. (The guy is half-vampire, there should be all kinds of questions to explore about how that interacts with a mostly-zombified world — and this show has no interest in any of them.)
At least we got a cool new MK suit design out of it. And a fun scene of Khonshu having an argument with Valkyrie.
Knights of Guinevere:
Sci-fi psychological horror, which is also a scathing commentary on the creator’s career as a Disney animator. Follows a couple of friends who live and work in the garbage-strewn shadow of a planet-sized theme park, and a broken android (?) mascot who could really use their help.
Only the first episode is finished right now, so there’s a lot we can’t know, but it’s so rich and dense with worldbuilding info that there’s a ton of possibilities to speculate about. At this point I’ve seen multiple “breakdown of all the little things you missed in the Knights of Guinevere pilot!” videos, and haven’t stopped picking up new details yet.
Very excited to see where the rest of the series goes.
1. The main downside of this cold is that I am fucking exhausted from lack of sleep. I did get more sleep last night, but still tossed and turned a lot. Today I am much less stuffed up, so hopefully it will be easier to sleep tonight. Carla was so miserable when she was sick, though, so I'm very glad I didn't get it as bad as her.
and i haven't posted any ot4 either cause i'm slowly but surely catching up so i need to slow the heck down. last year when i started posting one chapter a month or thereabouts i was writing chpt 20 and now i'm on... chapter 22. not sustenable.
Just in terms of the premise, this is The Secret History meets Shadow Divers: a poor girl scuba diver falls in with a group of rich kid scuba divers, and they end up bound together by a shared deadly secret. There's other works it also reminded of, again just in terms of the premise, which are more spoilery: ( Read more... )
In the present timeline, Phoebe aka "Phibs," a poor aspiring underwater photographer, discovers a hidden underwater cave while on a diving trip with her four rich best friends, Gabriel (hot boy she likes), Will (Gabriel's fraternal twin, a joker), Lani (lost three fingers in past timeline, now afraid to dive), and Isabel (Lani's girlfriend). That is all the characterization Phibs's friends get, though Phibs herself gets a little bit more, or at least more backstory: she's the sole caretaker of her grandmother with dementia, and the women in her family have a possibly uncanny knack for finding things.
In the past timeline, Phibs finds five gold coins via the family knack, and something happens that led to Lani losing fingers and someone dying. In the present, Phibs finds a beautiful underwater cave with an air pocket. She and Gabriel rest and kiss in the air pocket... and then learn that there's a legend saying bad things happen to people who breathe the air in the cave. It seems to be true, as deeply creepy things begin happening to their bodies...
The plot and premise are great, and the diving and body horror/transformation scenes are really well-done. Reiss is a professional scuba diver, and you can tell. But the pacing feels a bit abrupt and choppy, which is not helped by the dual timelines cutting between the past and present, so that events that actually are set up still sometimes feel like they come out of the blue. I had a hard time figuring out the geography of anywhere that wasn't underwater, which is not a common complaint I have about books - for instance, I wasn't sure for most of the book whether the island base in the present storyline was a tiny island with only one house on it, or a large one with a town. And of course there's the mostly-nonexistent characterization, which is really the biggest problem with the book. If this had actual characters rather than "hot boy" and "Lani's girlfriend," it would have been so good.
I didn't mind that nothing is explained about what's actually up with the cave and Phibs's family knack, but in case you would mind: nothing is explained. I did enjoy reading the book but more attention to character and taking things slower could have made it excellent rather than just an enjoyable read with some standout elements.
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